I'm pleased to announce that I am the featured artist for November at Starring "The Gallery" in Northville, Michigan. Many of the photos that I have posted on my Facebook page over the last few weeks are
new works which will make their public debut and will be on
exhibit there for the entire month.
You are cordially invited to attend the reception:
118 W. Main St.
Northville, Michigan ______________
Featured Artist: James C. Ritchie, Photography
Artist Reception: Friday, November 7, 2014 6:00 - 9:00pm
James Ritchie is a native of Northville, and a self-taught
photographer. His work stems from his many interests which range from
the art of automotive design; railroads and machinery; architecture; to
historic subjects, scenes and events, and more. His award winning
photographs have been published on book covers and calendars and have
illustrated newspaper articles and web sites across the country and
around the world.
Ritchie's work is set apart from that of others because he rarely
portrays a subject in its entirety. Instead, he creates a series of
details that, to him, are its very essence. Recently he has developed a
slight variation of this modus operandi. While he still seeks subjects
that fascinate him, and he still presents mainly their details, he has
been inspired to get out of his visual box and to see things with "new"
new objective is to find the art in ordinary, overlooked, and ignored
sights in life. That "art of the ordinary" focuses not necessarily on
what something "is," but rather on the colors and contrasts, light and
shadow, and / or geometric shapes of a scene or subject. Some of his work in this new perspective is presented here for the first time.
Follow "James Ritchie Photographic Art" on Facebook.
National Theatre is located on Monroe St. between Randolph and Farmer. When it opened as a vaudeville
house on September 16, 1911, it was the newest addition to an already bustling entertainment center. Theatres, billiard halls, cafes, bars and restaurants lined both sides of Monroe, with even more on nearby Randolph, Cadillac Square, and Woodward Avenue.
Tinted photo of the National Theatre on Monroe near Farmer St., c.1915.
South side of Monroe between Campus Martius and Farmer, c.1915.
The new National stood out from its older companions day and night. Its brilliant white terra cotta tiling was impossible to ignore by day, but its nighttime presence was even more alluring. The entire facade is studded with light sockets on its face, in its deep-set arch, and behind the lattice work which illuminated it inside and out, creating a dazzling sight at night.
The National Theatre ca.1911
Among its neighbors and competitors were the old Detroit Opera House and Temple Theatre on Campus Martius, where Compuware now stands.
Opera House, Merrill Fountain, and Temple Theatre, 1906.
Nearly all of 19th Century buildings on the south side of Monroe - many dating to the 1850s - were demolished in 1990. The sole survivor of Detroit's first
theatre district, the historic National is the only known Albert Kahn-designed theatre
still in existence.
South side of Monroe looking east from Farmer, 1989.
South side of Monroe looking west from Farmer in 1989. All of these buildings were demolished the next year. [ Historic American Buildings Survey (HABS) ].
The National has been in the news as a possible candidate for some sort of renovation. Last fall it was learned that Quicken Loans founder Dan Gilbert was interested in acquiring the landmark theatre for new development. His real estate arm has already purchased most of the properties near it, and several others around town.
The building has lain empty, forgotten, and neglected for decades, and any possible hope of its rescue is very welcome news. But, as happens so often in Detroit, purchase by a developer does not necessarily guarantee a restoration like the Fox, Gem, or Opera House (the former Capitol / Grand Circus Theatre). Damage to the structure is so severe that restoration is doubtful. If any preservation happens at all, only the street facade may be spared destruction.
The City has taken possession of the property from an owner who has, for more than a decade, failed to deliver on promises to restore or renovate it. With that hurdle cleared, new mega construction on the entire south side of Monroe from Campus Martius to Randolph is certain. The National's survival definitely is not.
"West of Center" is an annual all-media exhibit at the Northville (Michigan) Art House. This year's event was juried by Detroit native and renowned fine artist, Robert Schefman. He is the Foundations Department Chair, and Associate Professor at The College for Creative Studies in Detroit. His work has been shown and collected in galleries and museums across the country (including the Detroit Institute of Arts), and is represented by the Robert Kidd Gallery in Birmingham, Michigan. Visit Mr. Schefman's website to read more about him and view his work. Read an interview with him at ArtHopper.org.
I am extremely honored that a juror of such high esteem has chosen one of my works for this exhibit.
I am pleased to report that some of my work is now also available at a relatively new store in Walled Lake, Michigan just four miles north of the shopping mega-plex in Novi.
Below the Bridge and Above
is a little store in a little town offering exclusively Michigan-made
products. Here you can find all kinds of fascinating things with a Michigan connection from condiments and preserves, books, and jewelry to artwork, and more.
Below the Bridge and Above
123 E. Walled Lake Dr.
Walled Lake, Michigan
First Friday - May, 2014
My friend Rick Merrick and Below the Bridge owner, Susan Voydanoff at the opening reception for Rick's show.
I have been invited for the sixth time in as many years to Lawrence Street Gallery's annual photography exhibit, Exposures 2014.
This year's entry debuts the first two works in my new series "Night Lights" which explores the quiet beauty of places most people pass by without noticing, wouldn't deliberately visit during the day (much less at night), or don't even know exist.
These particular pieces are sublimated onto 12"x18" aluminum sheets. This relatively new process produces color depth that surpasses that of any any traditional paper process.
This year's juror is Jenny Risher, who hails from Mount Clemens. She is a highly regarded commercial and fashion photographer, and has also published Heart Soul Detroit, a volume of portraits and interviews of 50 notable and influential Detroiters.
In late 2011 or early 2012, this building abutting a former grocery (now liquor) store in
Detroit . . .
Google Street View July, 2009:
Google Street Views July, 2011:
. . . . burned to the ground and revealed several vintage signs, dating back to at least the mid-1950s if not the late 1940s or before, including a classic Faygo Orange (far left), and KowalsKi sausage sign (middle, mostly hidden):
The signs after they first appeared in 2012
To my surprise and delight this Faygo sign looked almost exactly like it did when the adjoining building was constructed:
Vintage ghost sign as it appeared in early 2012.
According to the Faygo web site, this logo originated in the
1930s and was used into the 1950s. My search for anything with this logo style on it had, until that day, been futile.
I have returned several times since then in hopes that the debris and remnants of the adjoining wall might have been cleared so I could see and photograph the other vintage signs on the wall. On each of those visits I was disappointed - but not surprised - that the rubble remained. I was, however, astounded and extremely relieved to find that the Faygo sign remained untouched. Perhaps, I thought, local vandals and taggers might have spared this priceless classic out of respect for the art and history it represents.
Fast Forward 2 years.
In March 2014 I was nearby again so I drove by, still hopeful that the Faygo sign remained unscathed and the others, by some miracle, might be revealed, too.
Silly me !
is sacred, respected, spared or preserved in this town. It just took
longer than usual for vandals to find it and destroy it:
I have plenty more to say about #%M*^@&F(#*B%@S&% like this, but none of it is fit to print. I'm sure you can fill in the blanks . . .
The Bond & Bailey building on W. Fort St. in Detroit is one of my favorite old buildings. I like it because of its unique character, its slight lean, its "ghost" sign on the east wall, and most of all because it is at least 125-130 years old and still being used (I think). I have been unable to learn anything about its history except that Bond & Bailey has been there "since 1948," according to the sign out front.
Bond & Bailey Machining and its neighbor the Detroit Trucking Co.
building, aka, Don Miller "Land Storage" - May, 2012
Former Detroit Trucking Co. building - May, 2012
This neighboring building was constructed (late 1930s - 1940s?) by the Detroit Trucking Co. and was later occupied by Bond & Bailey Machining, and then Don Miller Land Storage. It was still standing in 2012 after being vacant and suffering at least two fires. As you can see it was a mere shell awaiting its dismal fate which was most probably demolition. The only question was, how and when.
The answer came when it burned again (likely due to a scrapper's torch) the afternoon of June 29, 2012, just 40 days after the photos above were taken. After a 2-hour battle the fire was extinguished without injury. The building has since been demolished.
The late 1800s Bond &Bailey building still stands. These photos show how it looked in 2012:
Bond & Bailey Machining (2012)
A sign on the east wall by the entrance boasting their services (2012)
It was - and still is - comforting in some way to see the little building still
there each time I pass by. At the same time, though, I always wonder
how much longer it will be there. While this old stalwart still stands it has been, like so many buildings in Detroit, senselessly defaced by tagger vandals. I was furious when I saw it on a drive down Fort Street in July of 2013. Taggers have painted the entire side of the east wall, completely obliterating the terrific old sign:
For what useful purpose was an historic building defaced, and a vintage sign destroyed?
What or who is TAF-TMK, and why should anyone care???
I am pleased to have been invited to participate in Lawrence Street Gallery's annual exhibition which showcases the prize-winning artists from their four annual juried shows (Invitational, Figurative, Photography, and Small Works).
Exhibition organizer Laura Host says,
“Just as music, theater, and literature look back on the best of the
previous year’s offerings, we at the Gallery have decided to give the
public another chance to take a look at the new work of last year’s top
I first "discovered" Charles Sheeler (1883-1965) in 2004 when his
work was exhibited at the Detroit Institute of Arts. I was - and
continue to be - completely captivated by his precision and realism, and
how he created art from subjects to which the average person would
never give a second glance or thought. To my mind, Sheeler and Edward Hopper were cut from
the same cloth.
While he was a painter first, out of neccessity in 1912 he taught himself photography to
make a living. He did such a remarkable job learning the craft that it
soon became his full-time occupation. By the 1920s his paintings and
photographs received equal recognition. In 1927 Ford Motor Co. commissioned
him to do the series of photographs and paintings of the Rouge Steel
plant in Dearborn that so enamored me.
His 1939 photographs of the pistons and drive wheels of a New York Central locomotive were used as a reference for "Rolling Power," one of a series of paintings on the theme of power for Fortune magazine in 1940. "Wheels," is basically the same composition as his painting, but the photograph on which it was based no longer exists.
"Rolling Power No.1" is my homage to this master of canvas and camera, and was the inspiration for my subsequent "Iron, Steel, & Steam" series, two of which will also be exhibited.
Rolling Power No.1
Homage to Charles Sheeler
Iron, Steel, and Steam No. 1
(First Place - Exposures: 2013)
Iron, Steel, and Steam No. 2
Other participating artists are:
Jud Coveyou - Ferndale
Suzanne Rock - Leonard
Mary Ann Rutledge - Sterling Heights
James Ritchie - Northville
Eliza Ollinger - Detroit
Jean Lannen - Bloomfield Township
Peter Tkacz - LaSalle, Ontario,
Janet McCall Rimar - Clarkston
Brant MacLean - Detroit
Jonathon Downing - Carleton
Rosemary Lee - Howell
The enormous 35-acre Packard site made news throughout 2013. Vagrants caused several fires, and scrappers continued to pick its bones of structural steel causing the collapse of several sections of different buildings. In July Bill Hults, a would-be developer from Chicago, made overtures to purchase the site, but failed to produce the money.
In October the entire site went on the Wayne County auction block. A high bid of over $6 million dollars was made by a Texas doctor who put up about $200,000 in earnest money, but ultimately failed to comply with the auction process and forfeited the cash. The property was then awarded to the next highest bidder, who turned out to be the Chicago developer whose bid was $2 million. He put $100,000 down to secure his bid, but again failed to produce the money. The property was then awarded to Fernando Palazuelo, a developer from Peru whose $405,000 bid was the 3rd highest.
Lintel of main entrance to the Packard Motor Car Co.
The photo above was taken just days before the entire entrance facade was removed from the building and shipped to America's Packard Museum in Dayton, Ohio. This piece of Detroit's automotive and architectural history may be gone, but it is available to you as a 10" x 20", 12" x 36" or a nearly life-size 20" x 60" canvas gallery wrap photographic print. Each canvas has a solid substrate to prevent warping, is 1 1/4" deep, has a finished back with wall bumpers and hanging hardware already installed. A "must have" for any Packard owner or enthusiast !
Here I will publish articles about my photography, exhibits, and other news before being posted on my web site: JamesCRitchie.com. I will also post photos from my shoots that have an interesting story, but don't (in my mind) make the grade for a gallery appearance.
Besides being a means to keep you informed, I hope to field your questions and discussion about any and all aspects of my work, so please feel free to post comments.
If you prefer to contact me directly instead of commenting publicly, click here to e-Mail Me
Unless otherwise noted, all content and images are (c) Copyright 2008-2017by James C. Ritchie and may not be copied, reproduced, stored, or distributed by any means for any purpose without written permission.